Paleo Man - A Gift for Paleo People
Watch the 59-second Video
I write because there are two
containers of bead supplies and equipment in that studio too. For thirty years
I’ve made earrings, bracelets, and necklaces for family members and friends as gifts
and sometimes for myself. I’ve spent hours creating designs that use colors,
shapes and textures that “go” but never ever “matchy-matchy” as my friend Lynn
calls store bought bangles. Jewelry making was once an addiction. I was
powerless to pass a store without going in and lacked will power to sift
through beads without buying. About fifteen years ago, I inadvertently
underwent a self-inflicted aversion therapy that cured my compulsion. I call this miracle remedy, the Teen Years.
Nights my son left the house with my car, I worked on a project that seemed
sane at the time and kept me up till he’d safely arrive home. I’d admired something
similar on the fireplace mantle of my 76-year old Scarving Artist-friend. She created a cuff of pink rosettes that fit tight where the label would go on a wine-bottle shaped clear glass decanter using the tiniest of seed beads and the slimmest of needles. I chose a smaller
bottle, the same shape and adopted a seed bead pattern, also of pink rosettes,
to circle the bottle. Making the pattern circular rather than end-to-end was
the first challenge. My second challenge - the needle pricks from figuring out
how to hold the bottle and manage the weaving method, and keeping dark red blood
from messing up the pattern. The third challenge that remains today is the
unexpurgated boredom from the repetition of motion. Oh how I wish I could
experience it as meditation or Thich Nat Hanh’s mindfulness. But, no, no matter
if the TV, radio or a podcast is on, ten minutes passes and I consider stabbing
myself deeper with the needle but that would be like suicide by mosquito
bite. I began the bottle when Alex turned
sixteen, the first two of four inches emerged by the time he went to college
at eighteen. Since then, I’ve added another half inch and now only need to add
the bottom of a row of flowers and the edging, about the time he turns thirty-five, I expect, because in the
meantime, I write.
Stepping from the threshold of my apartment building, I was
lost. No instinct helped me turn right or left toward work. In one direction, a
fancy, deep brown lace-cut iron walking bridge crossed high above the road,
though I couldn’t see what connected it at either end. In the other direction
an endless string of buildings that looked like the one I was leaving. I’d
never find home again. I turned around and the door was gone. I didn’t see the inside of my own place. I only saw a warren of stairs to floors of
doors, that when reaching the end, opened to the outside with concrete verandas and concrete
paths descending from them with more iron railings that led down to the street.
From the street, however, I saw no way to access them.
The entry or introduction, growth, maturity and decline of a product life cycle is often depicted
as a bell curve with maturity at the top, entry and growth climbing toward it
and the slippage to decline on the other side into a grave yard of
betamaxes, buggy whips, telephone tables, bookmarks, and so on.