Saturday, November 7, 2020

A Child in Isolation and How A Mystery Made it Easier

My ears still hurt from wearing earrings I wear all day on Halloween. The metal finding is cheap and makes my skin black around the piercing, but the black spiderweb and silver tarantula make me smile. It’s worth the suffering. 

During the rest of the year the earrings rest in an antique porcelain box that once sat on the table where my mother stood her magnifying mirror and pull tweezers from the drawer to shape her eyebrows. It was hers, but given that it was likely made before she was born, it may have belonged to someone else, but I never asked. The box holds my treasures now, though most the same monetary value as the plastic earrings, a resin vampire pin, a puzzle-piece Christmas tree my son made with safety pins glued to the back, a coin pressed at Greenfield Village, another in the Caribbean, and a teddy-bear barrette that felt like velvet when I wore it with the Easter dress the first year I rode a two-wheeler; the flocking now worn away but the pink eyes remain as bright as I remember.


While sorting through the box for the spiderwebs, I noticed envelopes trapped in the lid of the box, the kind attached to coats or dresses with extra buttons. Two had buttons as marked, and one held a tiny china dog. I don’t remember putting it there, but I do remember the dog, a good replica of beagle brown and long flopped black ears, and how it sat atop a mirror on a bookshelf, with beagles in other poses, and other breeds of dogs and many other tiny bone China animals that eventually filled three shelves.

 

I don’t remember how my collection started. I believe there was a cocker spaniel that was my mother's and, maybe a couple other dogs belonged to my sister until she lost interest in them as a teenager. My memory is hazy on that part, but I remember amassing money I made from extra chores and gifts to ride my bike to the Village, the shopping district, to a gift store where they had a display of what seemed like hundreds of bone China animals. I bought other beagles that made a family for the one in the envelope. I bought a Siamese kitty that lapped milk from a separate pale of spilt milk- a cost of two animals, plus it’s mother with a fragile serpentine tail, that miraculously never broke. I remember buying a frog, a hippo, mother and calf elephants, brown, black and white cows, pigs with a momma and two babies, a skunk that held onto a separate tree-the cost of two animals, a squirrel the very same body as the skunk that reached out to a separate tree trunk, chipmunks, a ewe with two white and one black lamb- a little like me, a deer family, chickens, roosters, and horses of different breeds and coloring.

 

Farm animals were separated from the domestics, neighborhood wildlife from the wild animals. Word got around the family of my collection, and, like Beanie Boos and Beanie Babies now were a pretty much guaranteed hit as a gift. I admit that I was disappointed when they showed up in glass, or carved stone. I liked the smooth shiny bone china, others would be found on the lower shelves.

 

On the fourth to last day of third grade, when my collection of animals easily fit on a single mirrored tray on top of my dresser, I was diagnosed with an illness that meant I had to stay in a darkened room until my blood tests were normal… weeks, the doctor told my mother. And, I was contagious. No Field Day at school or final good byes, no biking, no swimming, no hide and seek on the block, nor visits from friends. Except for weekly trips to the doctor to draw blood to monitor the illness, I wasn’t allowed out. Since light was an issue, I was relegated to the basement where we had a tv and my bed room. 

 

Luckily, I was a reader. Nancy Drew, Trixie Belden, the Bobbsey Twins, Hardy Boys, and the buccaneers of Treasure Island kept me company, as well as Annette, Jimmy, Cubby and Bobby of the Mickey Mouse Club, Beaver, Kathy Anderson on Father Knows Best, and Soupy Sales, White Fang and Blacktooth on tv. It’s funny, I don’t remember being frustrated or bored or lonely or scared. I don’t remember getting special attention, but I likely did... someone went to the library to get me the books, and someone brought me Faygo Rock and Rye. 

 

I was five when we moved to that Cape Cod house. My siblings each had a room upstairs, my bedroom was on the first floor along with my parent’s. I remember the heavy book of wallpaper samples, larger than any photo album, that my mother brought home to pick out wallpaper. I chose black and white puppies with a green background, the other choice I had, was a pink background. My mother hung lined curtains to match.

 

One window of my room faced south toward downtown Detroit, and the other, west toward the next-door neighbors. No fence in between, only a few box shrubs and lawn on our property, and the neighbor’s wide driveway. In the mornings that summer, I was allowed to open my curtains to let in the west light but had to close them before noon when the sun peeked in. One morning, when I drew back the curtains a grey wolf sat, ready to howl on the window ledge. No box nor note. He was different from every one that I had. They were shiny and smooth. The wolf’s coat was rough and matte. No one fessed up to giving me the wolf. And Though I was learning great detective skills in the books I was reading, I could Barely leave my room, let alone the house to Interrogate my suspects.

 

Three days later a collie, standing majestic like Lassie, stood on my window ledge,  then a German Shepherd. Every eight or ten days over the course of June, July and August more animals appeared. A couple had little nicks, as though someone else may have owned them.

 

It became so much easier to go to sleep at night in hopes I have a surprise. You want to know who orchestrated this multi week campaign of China animals? So do I, I never found out. That window was always open, though the curtains drawn from noon to dawn, it was summer and we didn’t have air-conditioning, but I never heard a sound. They stopped appearing once I received an all clear from Doctor Kennary. Even once I was able to ask people face-to-face no one confessed. I suspect it was my next-door neighbors who’s kitchen faced my bedroom window but, they never let on.

  

In this time of Covid and thinking about people who are sick, I’m reminded of the kindness that someone bestowed on me to make my life easier, and never let on.

Wednesday, July 31, 2019

Finding A Model - One Foot in Front of the Other

I spent part of yesterday looking for a model to pose outside during the Plein Air Painters Chjcago Saturday paint  out in Washington Square Park. With the generous help from the folks at the Palette and Chisel Emily will join us and Bill Schneider, a renown portrait artist and plein air painter will provide a demo focusing on how to paint people en plein air. Unfortunately, though this was my idea, and I love painting outside and I am learning to love painting someone inside without the extra challenge of wind and gnats, I wont be there. Though I’m disappointed, I found a nugget in all of this. One of the model’s “out of office” message was “I’m off the grid.”

And she called me anyway.

From the porch of an all you can eat buffet in Oregon, after refueling for another five, ten, twenty miles on the Pacific Northwest Trail today. She started walking in Canada, one foot in front of the other. Sounds easy enough. A friend joined her for a week and left the trail a couple days ago to get back to her life. For me, that might make the one foot in front of the other a bit lonelier. The model doesn’t sound lonely
.

She said there is a community of hikers. A lot go at the same pace, alone but together. She sees familiar faces sometimes on the trail, or in restaurants near the trail. She says they are all ages, a lot of retirees, all different body types. Hers is tall, lithe, and muscular. I asked if she posted her travels, she said no. She’s not on social media, a reason I didn’t want to use her name. She told me that she takes a photo of herself nude in the wild every day, to document her body changing, her hair growing, her city look melting into something else. She’s not posting them. She said it would probably be illegal anyway. They’re for now, for herself. 

The day before I set out trying to find a model, I talked with a friend about camping and painting, camping and painting all the way to Alaska. I’ve been talking about an RV for awhile. I’ve talked about walking the camino. Instead I hang with my cat and paint around town. I find her adventure an adventure. She courageous and probably doesn’t need PT for a knee that’s been bent in sitting too long. 

I can make calls for a model or I can adventure. Hmmm, one foot in front of the other. 

Friday, June 28, 2019

What Does My Solo Show Mean? Consciously Counting the Beats to My Next Cymbal Clang


If you've followed my posts, you've read about my path, development and process of becoming an artist. I refer to myself as that now, though it still feels a bit clumsy or maybe pretentious as it rolls out, but it's incorporated into my life in so many ways. It's how I spend my time, my vacations, my money; it's in my clothes, those with and without paint. It shows in the special but ugly light fixtures in my "studio"  and, the renovations that created better storage for equipment, supplies and paintings that haven't found a home. I bristle at the word "hobby", yet the IRS has a definition I can't deny, but I'm still an artist, even if leaning toward starving in the metaphoric sense.

Up until now, I've referred to myself as a beginner painter. I've been aware that I've moved through phases used in the training industry. I showed unconscious incompetence, when I asked an early teacher, "why?" when he told me I needed to learn to draw. I approached conscious incompetence as I struggled with making landscapes recede or shadows lengthen correctly,  to conscious competence where I seem to reside most now as I struggle with consistency in my painting processes and intentionality with each brushstroke, it's like the percussionist in the Chicago Symphony Orchestra who moves his lips and counts the beats preparing for the next cymbal clang or drum bang.  And, sometimes, there are inklings of the next and last phase, unconscious competence, when I put down a stroke and it's right and I know it, and I leave it.

This show marks the end of the beginning. No doubt, I will continue to move through consciousness and competence as I continue to paint and improve my painting. This end allows me to forge a new path and direction, not letting go of what brought me here, but building on it.

My Art Dish, a video chat with Guest Artist Stephanie Weidner

My Art Dish, A Video Chat with Artist Lee Radtke